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	<title>Comments on: HBO:  Homogenous Box Office?</title>
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		<title>By: Regina</title>
		<link>http://www.poptheology.com/2007/09/hbo-homogenous-box-office/comment-page-1/#comment-67</link>
		<dc:creator>Regina</dc:creator>
		<pubDate>Fri, 14 Sep 2007 20:25:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.poptheology.com/?p=183#comment-67</guid>
		<description>I didn&#039;t see this show, so I can&#039;t speak to it directly. But it does strike me that shows that are supposed to be &quot;about relationships&quot; are often not the strongest way to explore relationships. In terms of HBO, I&#039;m thinking of The Sopranos and how in all the violence, swearing and plotting the center point was often a very complicated marriage between Tony and Carmela. They tortured each other and violated the bond of their marriage in every possible way, but for a variety of reasons, neither could ever walk away. Or Trixie and Sol on Deadwood: How a woman&#039;s own conception of herself could prevent her from taking advantage of true love and happiness.  These are just a couple of examples, but neither is in a show that anyone would characterize as being relationship-y.</description>
		<content:encoded><![CDATA[<p>I didn&#8217;t see this show, so I can&#8217;t speak to it directly. But it does strike me that shows that are supposed to be &#8220;about relationships&#8221; are often not the strongest way to explore relationships. In terms of HBO, I&#8217;m thinking of The Sopranos and how in all the violence, swearing and plotting the center point was often a very complicated marriage between Tony and Carmela. They tortured each other and violated the bond of their marriage in every possible way, but for a variety of reasons, neither could ever walk away. Or Trixie and Sol on Deadwood: How a woman&#8217;s own conception of herself could prevent her from taking advantage of true love and happiness.  These are just a couple of examples, but neither is in a show that anyone would characterize as being relationship-y.</p>
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